WARNER BROS. — ON THE SET By Victoria Giraud


The theme of the day:  the Oscars—which are now going on over the hill from me in Hollywood. If I wanted to join the fray on Hollywood Boulevard near Highland, I’d only have to drive a few miles but it would have taken lots of pre-planning. I’ve never even considered it; it’s so much more comfortable watching TV to see all the real-life drama. Besides, I’ve seen my share of stars.

I’m reminiscing about some visits I made over the years to the Warner Bros. Studios. I was on the lot in Burbank several times and now I live only minutes away. I would venture to guess that a large percentage of Southern Californians know someone who is in, as they call it here, The Industry.  Be it an Accountant on a film set, a Grip, a Best Boy, a First Assistant Director, or a Second Assistant Director, a Unit Production Manager, or even one of the television or movie stars.

During the years of “Designing Women” on TV, I became friends with Carolisa, one of the assistant producers. I had written a screenplay about English pirate hero Sir Francis Drake (It was titled El Dragon at that time, after Drake’s Spanish nickname). Carolisa gave the script to Meshack Taylor, one of the stars of the popular series, because there was a possible part for him. I attended one of the show’s tapings at Warner Bros. and got to meet Meshack in person. He told me he loved my script and commented enthusiastically: “It is beautiful.”  Who knows, some day that script may find its way to the screen.

Another friend, Max, worked on many films on that lot, like Barbara Streisand’s “Nuts,” which apparently drove many of the cast and crew nuts. During one of my low cash flow times, she tried to get me a secretarial type job on one of the many projects there, and I remember working at a typewriter for a day. One of the advantages of being on the lot was observing all the permanent sets, the office of Clint Eastwood, some of the filming action and meeting a few people. She introduced me to producer Paul Monash (“Butch Cassidy and the Sundance Kid”) in the parking garage and William Shatner during a break in his TV series “T.J. Hooker.” (I’ve written about that episode previously). Leading me around the streets and back lots, we sneaked into the very private set of Steven Speilberg’s “Goonies”—the pirate ship in a cove!

A few years later I went to Warner Bros. to do an interview with TV and stage actor Lane Davies  (soaps such as “Santa Barbara,”  “Days of Our Lives” and various series). He asked me to come to the lot so I could watch him play Tempus, a psychopathic time-traveler, on the Superman series “Lois & Clark.” While they were filming a scene, I sat watching it with star Dean Cain’s stunt double. He was a friendly fellow and curious who I was. He asked if I had been in Arnold Swarzenegger’s “Terminator” films!

Warner Bros. Studios

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